Friday 18 October 2013

MIME preparation for Drama with Early Years and upwards

Mime
Adapted freely and edited from  http://drama-in-ecce.com/2012/05/11/mime-workshop-for-all-ages/

Main objective of workshop: Mime encourages confidence and awareness of self and of others. It encourages physical control, simplicity of thought and movement and more importantly it stimulates the imagination.
Sub aims:
  • To introduce relaxation exercises and understand their role in a drama class.
  • To promote group work and co-operation.
Relaxation exercises in Large Room 
Be a star: Lie sown on your back and spread your arms, palms up to the side and open your legs. Stretch the limbs all together. Feel you are making a four pointed star. Suddenly the star collapses. Feel the tension disappear.
Be Hercules: In the same position, imagine that the body is being pushed down by a heavy weight so that all parts of the body are being pressed into the ground suddenly the weight is removed. Feel yourself float on the ground.
Shake off the ants:  In the same position, imagine you are tied to the ground but you can wiggle. A colony of ants finds and begins to crawl over you. Commence to wiggle the body until the last ant leaves you. Then collapse.
Be a rubber puppet: Imagine you are made of rubber and there are strings attached to your shoulders which someone can pull from above. You are being pulled up and you find your limbs fly out in all directions. Even the feet can be pulled off the ground at times, finally the strings are cut and the body relaxes.
Mime Activities in classroom or large room
What’s in the Box: Early yrs upwards All the students sit in a large circle. The teacher asks them to imagine there is a magic box in the centre of the circle. The teacher can ask what size is it? What colour is it? Ask can everyone see it. This is a fun mime game. Everyone sits in a circle. Ask the children if they can see the box in the centre of the circle. Ask them what colour it is? What shape it is? Tell them it can be a different shape and colour, depending on where you are sitting in the circle. This is because it is a magic box.  The teacher goes into the centre of the circle first and mimes opening the box and taking out an object. She then mimes holding the object and the class must guess what it is. When the children guess correctly the teacher mimes putting it back in the box and closing it. The child who guessed correctly takes a turn at taking an object out of the box.
Pass the object: Early years upwards This is a follow on from the Magic Box game. The teacher mimes taking an object out of the box, for example a mouse, a rotten egg, a cream cake, chewing gum, lipstick or a puppy, and the children guess what it is. When they have guessed she passes the object around the circle. The children should react as if they were holding the actual object in their hands. Eventually the last child in the circle gets rid of the object and the teacher goes to the box and takes out a new.
Locomotion: Large Room  Get the students consider the ways that people walk. The teacher gets the children to walk around the room. Then call out different ways of walking
Walk like  a …..
•           Toddler
•           child in high heels
•           child wearing heavy wellington boots
•           child splashing in a puddles
•           child stuck in mud
•           child walking on stony beach
•           child walking on hot sand
•           someone walking on fire
•           someone walking wearily
•           an old frail person.
 Here are some more  suggestions for mimes:
•           Riding a horse
•           Skiing
•           Washing dishes
•           Eating hot food
•           Counting money
•           Telling someone you love them
•           Eating spaghetti
•           Singing
•           Playing tug of war
•           Washing your dog
•           Ballet dancing
•           Moon walk
•           Playing basketball
•           Singing opera
•           Walking in the desert
•           Playing tennis
•           Making pancakes
•           Opening a present that you do not like

Basic Situation: Middle to senior  Divide the class into small groups and they  try to remember what it felt like when they were in the  following situation. NOT facial expression which is imitation but remembering past experience which is is authentic
•           Cold
•           Hot
•           Surprised,
•           Frightened
Meetings Middle to senior 
The class gets into pairs. Each pair stands back to back. When the teacher calls out go they must turn around and pass their partner if
•           They were strangers
•           They were a casual acquaintance
•           Meeting some one they haven’t seen since they were in playschool together
•           Meeting someone that owes them money.

Starting  to use mime in a Drama session; Middle to senior 
Start beginner groups on occupational mimes and later move to emotional mimes. Mime starts within and is then portrayed by the body. Never forget that through mime is that art of movement it is also the art of stillness.
Occupational Mimes: lift a bucket, box, brush. Place the same objects on a shelf or table, place them, carefully on top of each other. Use scissors, shears, pickaxes, fishing rod. Use activities such as sewing buttons, cooking, putting on clothes, painting, cleaning windows.
Character Mimes: Portray different types of character, the young girl, the old woman, the rich lady, beggar, clown. Watch people around you.
Emotional Mimes: These are the hardest to portray. Feel, understand, convey happiness at receiving a gift. Sadness at hearing bad news, shock, horror, love etc..,

What’s the Chair? Middle to senior
Place a chair in the centre of the circle and participants take turns to mime what they imagine it to be:, for example:  a post box, a kitchen sink, a dog, a naughty schoolboy, a new car.
The person who guesses correctly takes their place in the middle.
Take over
•           in a circle, walking on the spot
•           leader makes a gesture, in time, that the everyone else imitates
•           continue for 8 beats or so, then calll  the name of a participant and they must change or add to the action
 What’s my job? for middle to senior
All sit in a circle.  Give everyone an job (e.g. Garda, astronaut, postman, teacher).  Use each occupation twice, and make sure the occupations are kept secret.
Students use the space to mime their own occupation.  Their task is to spot the person with the same job  as them.  When they have done this they should approach their partner, and without speaking, check that they are both miming the same job.
They should sit down in their pair when they think they have found them.

The game continues until everybody is sitting down.  The teacher should check they are all correct at the end of the game!

Devising with Images


Devising with Images in Drama

Colm Hefferon

Setting the scene

1. PHYSICAL FOCUS:  Organise large group into   groups of FOUR through use of Titanic game.

In 4s give each a number – 1,2,3,4. Show image (the Arrival by Shaun Tan, available on Google Images.   Examine the image in various ways.


2. VISUAL FOCUS: (ask pupils to write ideas down as we go for their own records.) Give each numbered pupil a specific task.  Each report back under category: Big thing, small, hard, soft.


3. SENSORY FOCUS: In numbered sequence:  All evens are man all odds are the woman. I am afraid I see…I think I hear… Write down in copies.


Development


4. TENSION FOCUS:  On Letter. It could be the cause or have an effect. Teacher wonders aloud.  “I’m just wondering….” What sentence in the letter is causing him to think of leaving  ?  (Letter written by someone outside the home.) Option two:  I’m just wondering…what effect of the letter (written by him) will be on those left behind?  Then ask pupils too do same in their small groups.

4b.SENSORY VISION: Choose  an concrete visible thing ( big, small, hard, soft again)  in  picture. Go for deep description ere.  E.g. ” I am the old battered  spade in the corner  and last night I saw/heard/felt/smelt….”. If time allows, repeat with an unseen object( e.g. a note in the woman’s pocket.

5. STATUS QUO: Recreate the image, or if there are more people in image than are in group, show an image of the most important part of the photo. Show in carousel. Comment on LEVELS in groups showing.

5b.STATUS QUO ANTE: Using the idea of SLOMO ( slow motion) Show a moment  from recent past that led to Image 5. In small groups. (CAUSE). Move from image one to two- Neutral  position/Freeze/Move/Freeze

5c.STATUS QUO POST: Show the same people some time later where the full effect of the images 1 and 2 are explored and shown. (EFFECT). SLOMO between images one, two and three. Really slow. Show in carousel.

For home work : Write the dialogue for each scene in copies  if desirable. Focusing on the departure scene. Ask pupils what you think they are saying. What do you think is not being said here?

Write the dialogue in four lines only in small groups of four. Each person contributes one line. Keep same groups.

NEXT SESSION or later : Place dialogues on the floor. Each group of four takes one dialogue up (not their own) and practises it. They show this in carousel, with music behind if desirable.

Reflection

FINALE: Ask pupils how they think the story finished. Explore in same groups what Christmas day/ birthday  the following year was like for each character.  To avoid possibility of tragic outcomes being dominant.  Organise that every   ending scene is slightly  different e.g.  Happy/ Sad/ Mysterious/ Revenge/Hero returns/Best possible ending for all concerned. The reason for this is to lift the mood, and also show pupils that problems can be solved. That we can influence the outcome of our lives and change what we don’t like with a positive approach. At this stage, we don’t dwell on the problem itself, but on the options the character has to solve it.

Circle time:  discussion of themes of  “ Coping with Change” should reveal  a variety of  perceptions and skill levels. These ideas may be captured in a poem written in the voice of the character  (My Dream…) or Images in art of one thing they would like to achieve to foster a positive attitude. Remember you will go further and value more if the pupils use the characters’ voices ( “Martin Tan should talk to the village chief…” as opposed to” I would do this”). You may choose also to go into role as a Grandmother character very worried about your grandson, looking for advice from his friends (the pupils). This often reveals a maturity of engagement not always evident in the       classrooms.

END

 Colm Hefferon.

October 2012


TEACHER IN ROLE LESSON From Literacy activities to Teacher in Role: Forest Child as resource


Mime Cards



Please send a bowl of
noodles to my room.
How much does it cost to
use the swimming pool?
Can you change this Five Euro  note
into One Euro  coins?
I have lost the key
to my room.
What time is breakfast served?

If my husband (wife) calls,
tell him (her) that I have lost
my voice.

Can you please book two
tickets for the rock concert
tomorrow night.

I have to catch a train
tomorrow morning.
Please wake me at 5:30am.

Please send 3 kilograms of
chocolate to my room.

There is a crocodile
in my bath.
Please come quickly.

The person in the room
next to me is playing drums,
and I can’t sleep.

I have dropped my glasses
in the toilet.







Thursday 3 October 2013

Introduction to Drama for the first time to young people

Purpose:
  1. To lead pupils safely into role and to show the

    value to them of concentration and collaboration.
  2. Develop Pair work organising skills for initial teachers.
  3. Develop Verbal fluency among pupils in non-threatening environment.





    First section of session is the preparation for working in groups.



    The structure used in this section is known as the
P-V-C STRUCTURE


  1. Physical Exercise - to create an energetic atmosphere of collaboration


  2. Verbal Exercise - to begin to create closer focus in pairs


  3. Concentration Exercise- to bring out the theme and create readiness for stage two
1.Titanic: Lifeboats. Large group randomly walk and when teacher calls out the number all must get into groups pf that number. Stragglers may be "saved" or be put into the hold( bench at side of room). End with 2's. This is the purpose of your exercise- to achieve pairs. Then "helicopter " into a safe place. Face each other at hands length.


1a.If you prefer to work in pairs immediately: Three Irish duels.[thanks to A.Boal] Pairs face each other. Clear brief to achieve desired objective/outcome
-Pairs Stepping on toes.
-Slapping knees.
-Swords in Backs.
2+3. Counting in pairs.A+B . A counts for 100 -1 without being stopped by B. B must try everything to stop A. Eye contact a must. No other contact allowed. In 1.a,2 and 3 the participants should sit on ground when finished to allow you to see who has yet to complete. Participants are then ready for guidance into the next task .